Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte Anime/Light Novel Comparison

    Welcome back to Beyond The Anime for another anime/light novel comparison, the Winter 2023 fantasy romcom - Endo and Kobyashi Live! The Latest on Tsundere Villainess Lieselotte. 
    This short series, which tells a complete story in 12 episodes, was such a fun surprise. I love the twist on videogame isekai - instead of being transported into the game's fantasy world, the two teens (Endo & Kobayashi) playing the game are able to speak directly to their favorite characters, who view them as the voices of the gods, and try to guide them to the perfect happy ending. Their excitement and determination to save everyone and achieve the best conclusion possible for their favorite characters is so relatable to me as a gamer. Plus, there are three main couples in this series that are each adorable in their own ways.
    The events of the first novel play out more or less the same as the anime with some extended scenes, and the point of view characters' narration is often hilarious. Prince Siegwald, the main "love interest" of the game and Lieslotte's fiancé, gains extra depth in the light novels with the majority of scenes being told from his POV. His internal monologues reveal that the perfect princely act is a role he feels obligated to play, and while he's still every bit as kind as Lieselotte believes, he's also insecure at times, wondering if he's fit to one day lead the kingdom, and shows hints of jealousy when he fears others might have a closer relationship with his fianceé than he does. These imperfections make him an even more well rounded character. 

The full team ready to fight the Witch of Yore - (from left to right) Leon, Fabian, Lieselotte, Siegwald, Fiene, Baldur, Artur

    There were a few significant differences in the second volume, which covers the fated confrontation with the Witch of Yore and also the secret final boss, Kuon. Some of those changes in the anime were improvements, but there were other scenes I liked better in the novel. 

    There were a few added scenes in the anime that made the battle against the Witch of Yore more dramatic, for better or worse, when the original novel had Endo and Kobyashi's team so fully prepared that defeating the Witch was much easier than expected. The young couple Fabian and Cecilie end up separated in the anime when the Witch captures Fabian and he needs to be rescued, but in the novel, this turn of events never happens. He simply begins the battle standing alongside Cecilie and her father, General Riefenstahl, in a group with the kingdom's finest soldiers. Another anime-only scene involves the team saving Professor Leon from one of the Witch's attacks, but the novel specified that his mastery of dark magic makes him immune to her negative status effects.

    The goddess Lirenna's explanation in the novel is also longer, including information about the way magic works in their world and others who came to be on the same level as the original "gods" - like the foreshadowing for one of the game's hidden endings that Kuon was trying to achieve, which would have Fiene ascend into the heavens. Some of this background is interesting, but at times the conversation meanders too much in a scene that already feels like an extended infodump. Lirenna is also portrayed as even more pitiful in novel, and the other characters' attitudes towards her follow suit. 

Lieselotte appears through the plushie Kobayashi made to defend her from Kuon. Anime bonus ability: Levitation!

    By far, the biggest changes occur during Endo and Kobayashi's final confrontation with Kuon. In the anime version, Kuon kidnaps Kobayashi's sister to use as a vessel for "Eve"/Fiene when he brings her soul from the fantasy world to Earth. It was a surprise when I read the novels and this event didn't happen. Kobayashi's sister was never kidnapped, although Lirenna did mention that Kuon would need a vessel for Fiene's soul. 

    Instead of an urgent chase after Kuon to save her sister, the novel has Kobayashi and Endo planning to ambush Kuon with the help of Lirenna. They found Kuon in a wooded area behind the library rather than a greenhouse, and the novel actually gives the original Kirise Kuon (who I'll refer to as "Kirise" from here on) an active role in confronting the god Kuon who has been taking control of him, throwing insults at Kuon along with Endo and Kobayashi. Another interesting change was Kirise didn't know the "Eve" that Kuon was so obsessed with wasn't really his girlfriend until Endo and Kobayashi told him in the novel, but he seemed to be more aware of Kuon's intentions in the anime, as he was shown arguing with Kuon not to go through with his plan.

    Lirenna and Kuon aren't quite as omnipotent in this version either. In the anime, they could see through each other's eyes, but Lirenna can only lead them in his general direction in the light novel when she senses "something vaguely Kuon-like". The Lieselotte plushie was also not able to move on its own and hover in the air the way it did in anime when the real Lieselotte was speaking through it. 

    Personally, I preferred the novel's version of the confrontation with Kuon and the anime version of Lirenna's appearance following the Witch of Yore battle, but each portrayal has its strong points and experiencing both offers the most complete picture. Much like a videogame with branching paths, the differences between anime and light novel don't necessarily feel out of place in this story.

Prince Siegwald and Liselotte's wedding ceremony

    A definite bonus in the anime is the scene at the very end which shows Sieg and Lieselotte getting married, including a beautiful set of vows! Volume 2 of the novels completes the main storyline told in the anime, but concludes with Endo and Kobayshi arriving in the fantasy world right before Sieg and Liese's wedding. Even the follow up novel skips ahead of the actual wedding, so this was a great anime-only addition!

    The next volume, titled "Disc Ex", is a collection of "extra" stories. After Endo and Kobayashi attend the royal wedding, they spend the rest of the day catching up with Sieg and Liese to find out how everyone is doing now that they've moved past the timeline of the game. That's what this bonus material is all about - filling in the blanks during the story's frequent timeskips. 

     Sieg & Liese in the palace garden

    The story of TsunLiese takes place over the course of a school year, from spring through summer up until the Witch of Yore's appearance during the Festival of Gratitude in late autumn. Naturally, there were more events that occurred for the characters which didn't get mentioned in the original story, and there's a good reason for this in the sense that Endo and Kobayashi were only able to see the scenes the game allowed them to see. 

    Sieg and Liese tell them a number of these stories, including a cute spontaneous shopping date. Kobayashi even got the chance to read the famous "Lieselotte's Memoir" from the game, with all of the changes brought about by their guidance. This also sheds some light on Liese's state of mind when she was bring harassed by the Witch of Yore, just as the present day scenes show her feelings and strength when she looks back on that trying time in her life.

    Most of the stories shared with Endo and Kobayashi during their visit with Sieg and Liese on the afternoon of the royal wedding take place after the main series, with a segment for each character to show how their lives are going now. Fiene and Baldur were the main focus, and their engagement was a great way to wrap up their story. Fabian's story, an adorable scene where he played in the snow with Cecilie, Lieselotte and the rest of their family, was also a joy to read. 

    However, not all of the characters had equal time devoted to them. The complex political situation in Leon's story could have used more explanation, and only a short update in conversation was given for Art, rather than a full scene like the others. This after story clearly gave greater priority to couples. Even so, this was the best kind of epilogue - a gathering of friends, and a hopeful vision of the future. 

Endo & Kobayashi, original art from light novel (right) and the same picture in color as shown during the anime's ending song (left)

    The artwork in the light novels is beautiful. Both the black-and-white and the color illustrations perfectly capture the characters' emotions in their expressions, and the anime adapts it very well. It was a really nice touch to see several of the original illustrations in full color while the credits roll during the ending song in the anime. 

    I definitely recommend these novels to anyone who enjoyed the anime, or fantasy romcoms in general. The main storyline has enough differences towards the end to make it worth a read even if you know how the story plays out, and the third volume is entirely new material. 

    For more anime/light novel comparisons from the Winter 2023 season, check out my reviews for Sugar Apple Fairy Tale and Saving 80,000 Gold In Another World. Stay tuned for more comparisons including Kuma Kuma Kuma Bear, the second half of Oshi no Ko, and my review feature for my favorite manga series of 2023! 

            Siegwald & Lieselotte, color illustration from vol. 3

*All images from the Endo and Kobayashi Live anime and light novels, screenshots taken by me. Banners created by me in Canva.

My Favorite Anime of Spring 2023

 

    Welcome back to Beyond The Anime! At the close of summer, I've only just finished catching up on my spring anime, with the GundamInfo release for The Witch From Mercury running from July through September three months after its original showing - but my list wouldn't have been complete without it. While I may not have watched as many shows as I did during the winter season, there were still plenty that I enjoyed, along with some fantastic surprises. Better late than never, here are my Spring 2023 anime rankings and favorites in each genre. 

Best Premiere: Oshi no Ko

It probably comes as no surprise to most anime fans that this highly anticipated movie length premiere episode ended up being my favorite of the season, but it certainly was to me. I knew very little about the series going in and didn't expect to love it as much as I did, but I connected with the characters instantly and became very invested in their story. This first episode was an emotional roller coaster, and probably one of the best I've ever seen.

Honorable mentions: Having to compete against Oshi no Ko's fantastic premiere, which was really more like four episodes in one, hardly even seems fair, but there were a few great first episodes this spring. Kuma Kuma Kuma Bear's second season started off with an adorable tale involving bears (of course) and a honey tree, and Insomniacs After School introduced two lead characters who had excellent chemistry and a compelling connection right from the start.

Best Opening Theme: "Idol" by YOASOBI (Oshi no Ko)

For a show that focuses heavily on idols, it's fitting that Oshi no Ko has great music to match. With a catchy beat, beautiful visuals and lyrics that portray the themes of the series, this song easily became my favorite of the season and the one playing on repeat most in my mind. It's a song I'll never skip. 

Honorable mentions: The only OP of the spring season that even comes close to "Idol" is Mobile Suit Gundam: The Witch From Mercury's opening song, "slash" by yama. The energetic music and vocals always get me hyped for more giant robot battles. 

Best Action: Mobile Suit Gundam: The Witch From Mercury

The battles in GWitch's second season are as exciting as the first, and with even higher stakes. When tensions between Earthians and Spacians lead to the brink of war and everyone's hidden plans are revealed, the resulting Gundam fights deliver a stunning clash of ideals, loyalties and sci-fi weaponry where every move feels like it could mean the difference between life and death. 

Best Adventure: Dr. Stone

The Kingdom of Science won this category when they built a ship and ventured out to sea. More than ever before, the characters shifted their focus to exploring the Stone World, setting sail across the ocean to discover new lands and uncover clues about what brought the world to its current state.

Best Drama: Oshi no Ko

More than any other, this is the show I anticipated the most week to week. I was immediately invested in the characters of Oshi no Ko and their struggles - whether it was Ai's life of love and lies, Aqua's revenge, Ruby overcoming her past fears to become an idol who inspires everyone, Kana and Akane's rivalry and insecurities, the exploration of acting in the Sweet Today TV drama and the shocking events of Love Now. 

Best Romance: Insomniacs After School

This series was such a pleasant surprise. The wholesome, healing relationship that developed between Ganta and Isaki was an absolute joy to watch. The way the two of them slowly opened up to each other and simply find comfort in each other's presence made this friendship turned romance feel very real, and I was rooting for them all the way.

Best Slice-of-Life: Kubo Won't Let Me Be Invisible

Just like the first half that aired this winter, the adorable scenarios that played out between Kubo and Shiraishi, plus their family and friends, made this a sweet and relaxing show to watch each week. Even though it typically sticks to the status quo, I think the two leads managed to get a little closer to realizing their feelings by the final episode. 

Best Mystery: Oshi no Ko

In addition to the excellent character drama, one of the things that kept me hooked on Oshi no Ko and eagerly awaiting each new episode was its central mystery - Aqua's quest to find his father, who was likely responsible for Ai's murder. His detective work and the lengths he's willing to go to achieve his goal make him a fascinating main character and gives this story a great balance of light and dark. 

Best Fantasy: Kuma Kuma Kuma Bear season 2 

Yuna's fun isekai adventure with her adorable bears continues in the second season. A golem-slaying journey through the caves, gathering materials for dwarven crafters, and the promise of mithril blades felt like watching a traditional fantasy game storyline, and Yuna shocking everyone with her overpowered bear gear never gets old. 

Best Science Fiction: Dr. Stone season 3

One of the most exciting aspects of Dr. Stone is seeing what Senku will create next using his scientific knowledge and the limited resources available to him in the Stone World. With all of the new scientific developments geared towards travel and espionage, this season represents one of the biggest leaps forward for the Kingdom of Science. 

Best Ending Theme: "Mephisto" by Queen Bee (Oshi no Ko)

This fantastic song plays at the close of each episode of Oshi no Ko, dropping its first beats during the final moments right when the big reveals happen. It takes a special song to be able to overlap with the story so well, and this one does it every time, becoming such an integral part of the experience that I still imagine it when reaching the end of a manga chapter. 

Best Finale: Oshi no Ko

Ruby, Kana and Memcho's journey to become idols and revive B Komachi takes a major step forward with their first concert, which combines beautiful visuals, great music and a very emotional scene for Kana when she fully embraces her new role. The second half of the episode provides an exciting teaser for what's to come in the already approved season 2, with Aqua's investigation turning up new clues and an acting project that looks set to bring the rivalry between Kana and Akane front and center.

Honorable mention: Insomniacs After School's wonderful finale deserves attention as well. From Ganta and Isaki running away together to their very sweet confession scene with a beautiful scenic background, this episode encompassed all the best parts of the series.

My Spring Anime 2023 Ranking:

 

1. Oshi no Ko

My best surprise of the spring season. This series that was a complete unknown to me instantly captured my interest with its great cast of characters and perfect mix of drama, mystery and comedic moments, and I can't wait for season 2.

Rating: 9.5/10

2. Insomniacs After School

Insomniacs dealt with some heavy topics - like health conditions, trauma and abandonment - and handled them all with care. Ganta and Isaki's feelings were realistic and relatable, and watching them find comfort and support in each other was one of my favorite parts of the spring anime season. 

Rating: 9/10

3. Kuma Kuma Kuma Bear season 2

Although this sequel leans more into slice-of-life than the first season, Yuna's daily adventures were still very fun to watch whether she was traveling with a group, slaying monsters solo, baking delicious cakes or creating an exercise routine with her bears. It's peak relaxing fantasy, and the charming dialogue full of videogame references and bear puns remains a highlight of the show.

Rating: 9/10

4. Dr. Stone season 3

Dr. Stone has always contained an element of mystery in the green flash of light that turned all humans on Earth into stone for thousands of years, but while previous seasons focused more on surviving in the new state of the world they found themselves in, season 3 has the Kingdom of Science actively searching for answers surrounding the petrification and the history of the astronaut team that included Senku's dad. The second half starts this fall, so there's plenty to get excited about!

Rating: 8.5/10

5. Mobile Suit Gundam: The Witch From Mercury season 2

This second half was an exciting conclusion to my first Gundam show. GWitch tells a compelling story with themes of family and war at the forefront, and has a great cast of characters. While the corporate politics seemed to move a bit too quick to follow at times, and I was never a fan of Suletta's relationship with Miorine (which was more of a focus towards the end), the show kept me invested from its explosive start last year to its emotional finale.

Rating: 8/10

6. Otaku Elf

I enjoyed Otaku Elf's creative spin on isekai. Instead of showing off a new fantasy world, the story focused on a character who came from one of those other worlds into ours, and how she adapted (and often has trouble adapting) to life in Japan. The show combined the casual daily activities of a mostly stay-at-home reverse isekai'd immortal elf with fascinating historical facts about the Edo era to compliment its story, and the result was a relaxing slice-of-life that's also educational. 

Rating: 8/10

7. Kubo Won't Let Me Be Invisible

While it may not have left as much of an impact as the more serious stories this season, the remainder of Kubo-san was still a fun, cute, lighthearted show continuing from the slightly stronger first half that aired during winter. The daily interactions between Kubo and Shiraishi were just the kind of wholesome romance with a light dose of comedy to provide a nice breather in between all the action, mysteries and dramas this season.

Rating: 8/10

8. Tokyo Mew Mew New season 2

This season really raised the stakes, both in terms of the battles the girls would face and the emotional challenges they needed to overcome. The large scale fight scenes as the slightly more experienced but still new magical girl team tried to prevent the aliens from triggering environmental damage of apocalyptic proportions was exciting, and the bond between the girls is one of the show's best strengths. There were a few plot twists I didn't care for, like the one involving Aoyama, but the happy ending wrapped up this series nicely.

Rating: 7.5/10

    The spring season was full of surprises! I was expecting my most anticipated show, the continuation of Kuma Kuma Kuma Bear, to take the #1 spot, but it ended up ranking third behind Oshi no Ko, a show that wasn't even on my radar at first but ended up becoming a fast favorite of mine, and the charming romance of Insomniacs After School. Overall, I watched less shows in spring compared to winter (a trend which continues into summer as well), but my average ratings were higher and I enjoyed everything I watched this season. 

    If you're looking for more Spring Anime content, check out my anime/manga comparisons for Oshi no Ko and Insomniacs After School, and my four-part series exploring the history facts from Otaku Elf. Stay tuned for my Kuma Kuma Kuma comparison, and my Favorite Anime of Summer 2023 post coming soon!

*All screenshots from their respective anime taken by me from the official streaming sites (HiDive, Funimation, and the GundamInfo YouTube channel). Banner art created by me in Canva. 

Insomniacs After School Anime/Manga Comparison

    Welcome back to Beyond The Anime! Insomniacs After School, a touching romance between two teens who struggle to sleep at night, was one of the highlights of the spring anime season for me. The manga has the same charm, and I was glad to see that the adaptation was faithful to its source. 

Isaki Magari (left) & Ganta Nakami (right)

   Ganta and Isaki's first days together are as adorable as ever in the manga. The more realistic designs of the characters are both unique and very fitting, and the level of detail presented in the close up views are beautiful. They have very expressive faces, which portrays their emotions well in scenes where dialogue is often absent, but there are also times when the still shots can make these expressions look a bit too exaggerated - something that wasn't really an issue in the anime when the characters were in motion. However, those instances are rare and the majority of the first two volumes have excellent character art like the picture above. 

    This is the early stage of the story, in which Ganta and Isaki are still getting to know each other and discovering an interest in nighttime photography. After forming the astronomy club in haste to secure a secluded place to rest in school, it becomes a hobby that brings them closer together and leads them to explore new sights. 

A view of the starry sky over a small bridge in the manga, and...

The same view of the sky and bridge in the anime

   The scenery is beautifully drawn and impressively intricate. Often, these atmospheric scenes take the center stage as Ganta and Isaki walk through the night, enjoying each other's company without needing to speak. This story is best read slowly, taking the time to admire the background art and imagine the quiet sound effects of the environment like the falling rain. Otherwise, these chapters will feel like they're over much too soon. The presence of so many panels focused on setting the scene with art but no text can make this story a fast read. The anime paces itself like a peaceful stroll, with slow movements and relaxing music, which added a lot to the experience for me. 

    The presentation in the anime is slightly different, but both versions are excellent. The manga is more detailed, and the page format offers a larger view of the scenery around Ganta and Isaki, particularly with full page images that the anime has to pan up to capture in their entirety, but the colors of the anime also add a lot to these pictures. While both approaches offer a unique aesthetic, I have a preference for the vibrant shades of blue, pink and purple used to depict the starry skies in the anime, especially during the beach scene when the stars were reflected in the low tide, making the sky and ground seem to become one image. 

The starry sky reflected in the water gives the appearance that Ganta and Isaki are walking on air

   Volumes 1 & 2 of the manga cover episodes 1-5 out of the 13-episode first anime season, from Ganta and Isaki's encounter in the formerly abandoned astronomy club room to their school beach trip. Their growing friendship, which is slowly blossoming into something more, has developed in a very natural and realistic way. You can see the two becoming more comfortable around each other as they open up about a part of their lives that they've kept secret from everyone else, and now they're so comforted by each other's presence that simply being side by side will help them fall asleep. 

This scene with Isaki and her aunt only appears in the manga

  There were few changes between the manga and the anime aside from presentation, making this a very faithful adaptation so far. The only major scene from these early volumes of the manga that was not shown in season 1 of the anime was the one pictured above between Isaki and her aunt. 

    Isaki stops by her aunt's house for a visit, and while the conversation starts off casual, it soon becomes clear there was a sad event in her aunt's past. Before Isaki leaves, she pays her respects at a small memorial set up in the entryway of her aunt's home, and while only part of the picture is visible, it's implied to be a young child. Isaki's aunt hugs her and thanks her for remembering, telling her that "he would probably be as big as you are now." Later in the anime, it was revealed that Isaki has been dealing with a heart condition from a very young age, and it seems likely that her aunt also had a son who suffered from the same condition. Given the placement of this scene in the manga, it gives a slightly ominous and somber vibe to Isaki's earlier statement that she was sick as a child before revealing the full details.

Ganta and Isaki fall asleep next to each other on the beach during their school summer trip

        Insomniacs After School is a wonderful story about two teens who were able to find peace with each other, and perhaps even a purpose that brings meaning to their sleepless hours. I definitely recommend the manga to fans of the anime and wholesome romance stories in general. For more from the spring anime season, check out my anime/manga comparison for Oshi no Ko and my Otaku Elf history series, and stay tuned for my next anime/light novel comparison of the winter season fantasy romcom Endo and Kobayashi Live: The Latest on Tsundere Villainess Lieselotte!

* all images are from the Insomniacs After School anime and manga, screenshots taken by me; top banner image made by me in Canva with a screenshot from episode 1 of the anime

 Saving 80,000 Gold In Another World For My Retirement Anime/Light Novel Comparison

    Welcome back to Beyond The Anime! My latest anime to light novel comparison is a Winter 2023 series with a unique spin on isekai - Saving 80,000 Gold In Another World For My Retirement. Unlike so many isekai protagonists who have no way to return from the world they suddenly arrived in to their world of origin, Mitsuha discovers her ability to teleport back and forth early in the story. This special power opens a literal wealth of opportunities for her, such as selling items from her world in the newfound fantasy world for profit, and in doing so, earn enough gold coins to retire and live comfortably. 

Mitsuha dressed for battle as the Lightning Archpriestess

(light novel color illustration)

    The light novel, originally released by Sol Press, has since been acquired by Kodansha and is now being released in double volumes that contain two books in one, both in print and ebook form. This is reflected in the price of the print book, but the ebook version is still the price of a single volume, which makes for a great deal, and it looks like this trend will continue in the future!

    The anime adapts about two thirds of this story, so the novel does have several chapters after the big climax to show how Mitsuha comes into her new role as viscountess - granted to her by the king in the finale episode, making it worth a read for fans of the anime who want to get an idea of where the series goes from there. In addition to these "bonus chapters", Mitsuha's background receives extra detail and some of the explanations in the novel are more in depth, plus a few notable differences with the anime, for better or worse. 

This image pretty much sums up Mitsuha's end goal

(light novel color illustration)

    Mitsuha's background as the only remaining member of her immediate family, and the story's realistic way of portraying the effect this has on her, was the first thing that really made me feel invested in her character. The novel goes into more detail about this trying time in her life after she lost her parents and brother, and how she had to prevent other relatives from stealing her inheritance - a point which makes it clear why money holds so much importance to her as a form of security in her life. The otherworldly being that gave Mitsuha her powers also receives a slightly better explanation, with hints implying that it's actually an alien. 

    However, one detail that I think the anime was wise to downplay was the frequent references to people mistaking Mitsuha for a child, but at the same time showing inappropriate levels of interest in her. It was never quite clear in the anime why Mitsuha was pushed over the cliff, aside from hints that she was being bullied, but the novel shows that these boys were sexually harassing her and trying to force her to leave with them even after she pretended to be a child to deter them. There were a few men who showed an interest in Mitsuha even in the anime like the Count and his sons, and this is mostly played for laughs, but it's made worse by the novel drawing attention to the fact that they think she's only twelve years old. She's actually eighteen, though the misconception still comes off as a bit uncomfortable at times. 

    The narrative itself is written in a very simple style that makes this novel a fast read. Mitsuha's internal monologues are the highlights here, hilariously ranging between relatable and ridiculous depending on the topic, but her thoughts also tend to go off on long tangents at times that can distract from the overall story. Still, it was refreshing to read about a protagonist with a more practical, unconventional approach to solving problems and such a well-developed backstory right from the beginning. All of her decisions make sense given her previous experiences, sense of morality and information learned through conversations with her brother in the past.

Mitsuha with Count Bozes, his wife and sons

    Some of the content that was quickly summed up in the anime did receive more lengthy explanations in the novel, such as Mitsuha setting up shop in the capital. Details were given about how she chose her storefront, made an underground storage space for her funds, and even provided a crafter from the fantasy world with blueprints of the modern devices she wanted him to create (which seems like an awfully big risk for someone who should be trying to keep her status as a person from another world secret). These tidbits were interesting, but the middle chapters that focus on the business aspect were still the weakest ones for me. 

    The first major change I came across was during the lead in to Mitsuha meeting Count Bozes and his family. In the anime, she tricked the Count's men into believing she was hit by their carriage in order to gain entrance to their home - one of her more dubious plans. It was surprising to find that this morally questionable moment was an anime-only addition not present in the novel at all, and their first meeting was much more straightforward. Another minor difference was the translation of her "Messenger of Lightning" title as "Lightning Archpriestess" in the novels.

Mitsuha pressures the mercenary captain to help her by stealing his truck

    The most shocking differences, however, took place during the final episodes of the anime - the battle to defend the capital from an invading army, and everything leading up to it. Mitsuha enlisted the help of Wolf Fang, the mercenary group she had worked with throughout the story, but in the anime, the Captain doesn't believe the story she tells him about teleportation and the other world. In order to convince him, Mitsuha jumps into one of their armored vehicles and transports both of them (along with the truck) to the fantasy world, where he sees and fights a band of the invading goblins for himself while defending a wagon of travelers. This was one of my favorite scenes, and I was surprised to find it was anime-original. The novel just has Mitsuha teleport into the room with Wolf Fang present, removing any doubt about her powers. 

    The final battle itself was longer in the novel, and yet not quite as over-the-top as the anime portrayed it. Yes, there are still armored trucks and powerful guns taking on an army of fantasy monsters, but the novel does maintain more realism in the sense that Mitsuha's only role is delivering orders rather than leaping into battle herself with a bazooka. (Although I loved that scene as well and was a little disappointed not to see it here.) The version of the climactic battle in the novel, on the other hand, had some interesting background about the dragons that the anime left out. Not just one, but three dragons were present, and while two of them were killed, the leader slayed by Mitsuha in the anime was actually allowed to escape in the novel, and segments written from the dragon's point of view expanded the lore of this fantasy world. The mercenaries from Wolf Fang also brought back the entire body of a dragon back with them to Earth, instead of only a fang like the anime shows. 

Mitsuha teleports into the air and fires a bazooka at a dragon in the final battle 

    The start of the post-anime content was one of the most exciting parts of the book for me. As the wagon Mitsuha is traveling in gets attacked by bandits on the way to her new territory, she and the other passengers must fight to eliminate the threat. It provides additional information on the aftermath of the short war, in which many of the invaders - whether soldiers, hired mercenaries or conscripted citizens - who fled from the battle but didn't make it back across the border have turned to a life of crime. There's also a great exploration of the different mindsets of Mitsuha's fellow passengers and what led to their individual decisions to fight back, from the farmer protecting his wife and daughters to the mercenary and the old man who seems like he has something to atone for.

    After that, the story focuses on showing how Mitsuha adjusts to her role as viscountess and to ruling her new territory, appropriately named Yamano County. These segments are interesting, though not as exciting. There were a few outlandish but funny parts, like Mitsuha starting a blog on Earth about her experience as a viscountess, which earns her some suggestions from experts who think they're playing a game - until Mitsuha offers to bring them to the other world with her. Several of these final chapters detail Mitsuha's advancements in agriculture, the growing fishing industry, the economy and interactions with the people living there, so if you enjoyed Mitsuha's business ventures in the anime, then these chapters will have a similar vibe. Otherwise, this part of the story might feel a little slow. 

    The most intriguing sequel hook came in the final chapter, when Mitsuha is approached by multiple intelligence agencies from different nations on Earth (thanks to Wolf Fang selling those dragon parts) wishing to establish relations with the other world - or in some cases, perhaps take control for themselves. The way Mitsuha handles the situation is amusing, and the new realization about her healing powers was a cool surprise.

    Two bonus stories are also included at the end. The first expands on Mitsuha's feelings towards Collete as the closest thing she has to family right now, which helps explain why she became attached to the girl so fast, and the second is a fun story told from the mercenary captain's point of view as they try to figure out just who this mysterious Mitsuha is exactly, with plenty of humorous banter and the nice bonus info that their defense of the kingdom earned them enough gold to allow them a long break from dangerous missions. Because this is a double length book, it has the author's afterwards for both volumes 1&2 - a nice attention to detail that is often absent in this format.

Mitsuha novel illustration

    The art of the novels is simple but pleasant, with illustrations that often solely feature Mitsuha with different expressions, and the backgrounds are sparse. Mitsuha does have a nice character design, but I would have liked to see more variety. There are a few more dynamic pieces of art, like the dragon illustration and the scene where Alexis Bozes shields Mitsuha from an assassin's arrows, though these are few. The anime did better in this respect, creating a more detailed image of the world Mitsuha lives in. While there was little truly fantastic or eye-catching, the artwork was still good overall. 

    For anyone who enjoyed the anime and wants to know how Mitsuha's adventure continues after being made viscountess, I would definitely recommend checking out the novel. There's a great deal of content that takes place after the anime's finale, which keeps the story feeling fresh, and it maintains a good balance between adventure, kingdom-building and humor. Check out the rest of my Winter 2023 anime comparisons for Sugar Apple Fairy Tale, Tomo-chan Is A Girl and Kaina of the Great Snow Sea, and stay tuned for my next Winter 2023 anime/light novel comparison, Endo and Kobayashi Live: The Latest on Tsundere Villainess Lieselotte!

 Oshi no Ko Anime/Manga Comparison

Ai Hoshino with her twins, Aqua & Ruby

    Welcome back to Beyond The Anime! This latest entry in my anime/manga comparison series will cover my favorite anime of Spring 2023, Oshi no Ko! Fans have given much well-deserved praise to the anime for its stellar adaptation of the source manga, so much that I had expected the manga to be exactly the same story, just in a different form of media - but I was pleasantly surprised to find that the manga offers a wealth of new content even for fans who have already watched the anime. 

    While the main story is still the same, the presence of short "interviews" with the characters before each chapter of volume 1 add new information that hints at events to come. Each of these segments are only a page long, but the foreshadowing gives an entirely different vibe to the beginning of the series when compared to the anime's movie-length premiere which omits these flash-forward scenes. Because these segments contain spoilers, I will discuss them in a separate section at the end of the review for the sake of keeping the main comparison spoiler-free for fans who have completed the anime but haven't yet started reading the manga. 

Ai smiling at her twins' adorable glowstick routine

Ai smiling during that same scene in the manga

    The artwork and character designs of the manga are beautiful, and the anime portrays them perfectly. Every expression is a perfect match, and the vibrant colors of the anime, smooth animation and excellent voice acting bring the story to life on the screen. I've watched the anime both with the original Japanese voices and subtitles as well as the currently airing English dub, and both options are solid choices, though I did feel that the Japanese version was stronger overall - particularly during key scenes like the end of episode 7. 

    The anime does a fantastic job adapting the story as well. Over the course of the first manga volume, which covers the anime's premiere episode, the only major omissions were the flash forward character interview pages at the beginning of each chapter. It was an interesting choice, focusing solely on the present timeline to maximize the emotional roller coaster effect of the premiere, rather than include the story hints that gave the impression of dark secrets in the future for Ai and her children. 

Ai teaching Ruby to dance

The same scene, with Ai and Ruby's movements reflected in a mirror image

    One of my favorite scenes of the premiere, in which Ai helps Ruby to overcome her fear of falling and dance like she's always wanted to, is a great example of how the same thing can be portrayed beautifully in both the anime and the manga while drawing on the unique strengths of each art form. The manga shows Ruby matching Ai's movements as though her mother's image is reflected in a mirror, a creative visual representation of Ruby's words about Ai's dance routines being forever in her memory, and the anime goes all out with the bright colors and creative art style to give this scene a fantasy feel like the dream come true that it is for Ruby.

    I really enjoyed being able to experience this story in both ways, watching the anime (mostly) free of spoilers first and then reading the manga with all of the teases of things to come. The first volume covers the movie-length premiere and concludes with the same brief scene showing Aqua and Ruby as teenagers, and the presentation was so exact that I couldn't help but imagine the ending theme playing in the background as I read the last pages. 

Aqua plays his role so well

    The second volume, which covers the "Sweet Today" TV drama arc of episodes 2-4, features only a few differences. There weren't any big changes here like leaving out the previous volume's flash forward scenes, but the manga's focus on dialogue during the "Sweet Today" shoot really added to the themes of light and darkness found throughout the story, emphasizing that this metaphor can apply to the series as a whole. Likewise, the scene where Aqua leans into Melt's punch while the cameras were rolling felt more dynamic in the anime with the benefit of movement to portray his actions. It's still the same great story we've already seen in the anime, but I found it just as engaging to read even knowing how the main events play out.

    At the very end of the second volume is a short bonus chapter from Aqua and Ruby's young childhood with Ai, which was a really nice addition to keep their mother present in the story. This bath time scene was shown briefly at the end of the premiere episode as one of many when Ai's life flashed before her eyes, making this moment feel emotional and bittersweet, but here it's more comedic, with Ai starting to see Ruby's otaku tendencies and Aqua trying not to see too much of Ai as she gave them their baths. 

The added visual in the anime was a nice touch

And the director thought Aqua used big words...

    One slight disappointment is that the joke about Kana being able to cry on cue, which uses a play on the words in the Japanese dialogue, was translated differently in the manga and didn't use the original "baking soda" joke like the anime did. The manga uses "cryogenetics" as a phrase that sounds vaguely similar to cry, but I don't think the joke comes across as well, and it doesn't quite sound natural coming from someone Ruby's age. Plus, Ruby's mental image of Kana licking baking soda in the anime is much funnier. I was surprised to see that her visualization of the wordplay was anime-original. (This change may be solely due to the translation, rather than a difference in dialogue from the manga in its original Japanese.)

    The manga also uses a different translation for the nickname given to Aqua by director Taishi Gotanda, who meets Aqua when he's still a very young, extremely well spoken child. In the anime, Taishi first calls him "precocious baby" and later shortens it to "precocious" when Aqua is a teenager, but the manga instead uses the translation "wunderkind". Both of these phrases technically get the same point across, but I prefer the "precocious" nickname. It reflects Aqua's impressive manner of speaking in a way that has positive and negative connotations, as the word precocious has frequently been used by those who would find this sort of wise-beyond-their-years behavior annoying, which pairs well with the director implying Aqua's surprising intelligence gives him a creepy vibe.

I'm so glad this hilariously ham-filled dialogue was the same in both the manga and the anime

Character Interviews

    One of the major differences that sets the manga apart from the anime version of Oshi no Ko is the interview segments which appear at the beginning of each chapter and feature heavy foreshadowing for events beyond even what was covered in season 1 of the anime. This part of the review will discuss the content of those character interviews, and as such contains spoilers for the first season of the anime, volume 1 of the manga, and speculation of future plotlines. 

This full color image from the opening pages of the first manga volume shows a preview of Aqua and Ruby as teenagers being called onto the set by a camera crew, alongside an image of their idol and their previous lives

    For many viewers experiencing this story for the first time through the anime, the plot twist at the end came as a sudden shock that stood in stark contrast to the adorable scenes of family life that followed Ai's twins from their infancy through their first four years. However, the character interviews present only in the manga feature an ominous vibe. These visions of the future subtly imply through the characters' words that Ai isn't with them anymore, foreshadowing her death before the reader reaches that point at the end of volume 1.  

    According to the story, these interviews are being conducted before the release of director Taishi Gotanda's new film, The 15 Year Lie, dedicated to Ai - a film that he tried to release years ago to no avail. Aqua, who has been working with and learning from him over the years, will be acting in the production along with Ruby (who says this film will be her first) and Kana. This is one of the first hints that this story may be taking a dark turn, or perhaps that Ai's secret will be revealed somehow, and it's presented as a lead in to the chapter about Aqua's first acting job when he was around two years old, long before any of these shocking developments happen. Kana's interview also made a reference to getting "shanked" in another instance of ominous foreshadowing. 

Saitou Ichigo, former president of Strawberry Productions and Miyako's runaway husband - a rare post-timeskip sighting

    The manager of Strawberry Productions, which supported Ai's group B Komachi, was never shown again in the anime after the timeskip, though it was mentioned that Ai's death hit him hard and caused him to run away from both his company and his family. In the manga, his interview is shown before the tragic event, and he lashes out in despair when the crew asks him about Ai, saying that his life was over when he lost her. This was one of the most ominous flash forward scenes by far, which would have understandably caused readers to wonder what exactly he meant by that comment - lost her as a client, or lost her life?  

    In her interview, Miyako mentions Aqua and Ruby experiencing both favored treatment and trials in just the right amounts as though by divine guidance. This one isn't quite as much of a spoiler, as having a mix of ups and downs in life is fairly common, but it does match up well with what we've seen so far of the Hoshino twins, and the "divine guidance" might be a reference to the little trick Aqua and Ruby played on her as babies. The interviews also show Aqua and Ruby's kindergarten teacher and one of Ai's fans (now holding a fan with Ruby's picture) who makes an appearance in the first and last episodes of season one, which was a nice callback.

Has Aqua completely let go of his facade? 

    One point of interest is how brutally honest Aqua is during his interview. He's dropped all of the polite pretense he used on the dating show, admitting to the camera that he will never love anyone, and anyone who falls for him will never get anything back. Reading this after watching the Love Now arc, which ends with Aqua keeping up the act of dating Akane in public, was mind-blowing. Aqua previously talked about telling lies and keeping his true self hidden in order to protect himself, and it makes me curious about what could have led to such a change in how much he's willing to reveal to others, even going so far as to say acting is revenge to him. 

    Without knowing how events will play out later in the story, this comment could be taken any number of ways - including the old saying that success is the best revenge. Of course, Aqua's intentions are much darker, but he would be unlikely to reveal that to the public even if he grew tired of playing the role of the charismatic young star. Although his words are no different from the Aqua we know from season 1 of the anime and these early manga volumes, his openness about real feelings he knows might not be well received hints at a major shift in his life. 

Ai with her twins on their first birthday

    The only "interview" which was included in the anime was the scene before the final chapter of volume 1, the video of Ai with her twins, wishing that they would grow up strong and healthy. A banner, balloons and stuffed animals for Aqua and Ruby's first birthday were added in the anime, making this precious scene even more adorable. 

    As a big fan of the anime who easily considers it my favorite of the Spring 2023 season, I loved the manga and absolutely recommend it to anyone who enjoyed the anime. The manga is every bit as great as its adaptation, and the extra content in volume 1 alone, with the intriguing glimpse into the future it provides, is enough to make it worth a read for fans. Stay tuned for my next anime/manga comparison from the Spring 2023 season, Insomniacs After School, and my anime/light novel comparison for Saving 80,000 Gold In Another World For My Retirement coming soon! 

Bonus picture of Ai with Ruby and Aqua during their kindergarten days from volume 2 (between chapters 18 & 19)